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Aerial view of a forest: Merav Shaked lying on a long canvas covered in pink, brown and green acrylic, between tree shadows

ArtidanselWith a Good Eye

The body is the brush. The earth is the canvas.

Performance painting · Merav Shaked · 2026

This is an experiment in being seen without showing.

I made this work with no client. No brief. No approval. No predefined outcome. After years of creating for brands from behind a screen, it was the first time I let myself waste time, fail, stop halfway and say I don't know.

I walked into the forest with three canvases, acrylic and water. I laid the canvases on the ground, and instead of standing in front of them I stepped into them. Instead of holding a brush, I turned my body into the brush. Clothes, hands, feet and hair changed color. The dance and the painting became one act.

Halfway through I reached a moment I loved, and faced a choice: stop with the good shot, or keep going. I kept going. I physically climbed onto what was already there, and my body added, or more precisely removed, a layer. It was not destruction. It was trust: things can always be repaired, and there is always more than one good outcome.

This is an invitation to look with a good eye at everything there is. The love, the freedom, the doubts, the dirt, the mistakes, the places that were and are no longer.

All of it happened through the Sodot HaPara (Wild Secrets) course with Liraz and Bar. I was looking for a place that would return me to work with nothing to prove, and I found a group of women, every one of them an artist. Thank you.

Photography: Liraz. Editing: Liraz, Bar and Merav. Thank you to Liron Amram for help on set.

Three canvases on the forest floor.

על נוכחות / On Presence
In the end, I always arrive. Sometimes in silence. Sometimes full volume. Sometimes with every doubt.
The earth doesn't ask questions. It waits.
Earth. Water feeds movement. Wet earth. Safe earth.
Everything begins with touch. The body knows before the mind understands. The hands don't ask for permission. The feet find the way.
Every movement: color. Every breath: passage. Every mark: being.
Mess is not something to apologize for.
Mess is evidence that I was here. That I touched. That I wasn't afraid.
The body is the brush. The earth is the canvas. And I am the creator.
I thought I was returning to myself. That the circle was closing. But it was never closed. It always was and will be a spiral that keeps spinning me forward, even when I stop
to breathe.
בסוף אני תמיד מגיעה. לפעמים בשקט. לפעמים בקולי קולות. לפעמים עם כל הספקות.
האדמה לא שואלת שאלות. היא מחכה.
אדמה. מים מזינים תנועה. אדמה רטובה. אדמה בטוחה.
הכל מתחיל במגע. הגוף יודע לפני שהמוח מבין. הידיים לא מבקשות רשות. הרגליים מוצאות את הדרך.
כל תנועה צבע. כל נשימה מעבר. כל כתם הוויה.
ליכלוך זה לא משהו להתנצל עליו.
לכלוך הוא עדות שהייתי פה. שנגעתי. שלא פחדתי.
הגוף הוא המכחול. האדמה היא הקנבס. ואני היוצרת.
חשבתי שאני חוזרת אל עצמי. שהמעגל נסגר. אבל הוא מעולם לא נסגר. הוא תמיד היה ויהיה ספירלה שממשיכה להעיף אותי קדימה, גם כשאני עוצרת
לנשום.

The Triptych

Three acrylic-on-canvas panels, made at once in a single forest session. Each canvas carries paint, earth and body. Together they form one spiral. Available to acquire.

The triptych is made to hang in any orientation. Each canvas can hang vertically, horizontally or inverted, and the orientation can change with the season.

Medium
Acrylic on canvas
Pieces
Triptych, three panels
Edition
One of a kind
Documentation
Film and process archive
Year
2026

Price on request. The triptych is sold as one. Shipping arranged individually. A certificate of authenticity and the full process archive are included.


A work made for you

A new piece can be commissioned, made for the space and the person who will receive it. A commission starts as a conversation: what moves you, what size, and what energy should stay in the room. The rest is mine to make.

Technology as collaborator

This project was created by Merav Shaked. Every choice, every movement, every mark on the canvas: mine.

The subtitles in the film were written with Claude. The music was made with Suno AI: I brought the intention, the AI offered options, and I chose what stayed.

Technology here is a tool. The vision is human.

Claude Suno AI Subtitles Music

Sounds of the forest

Four ambient pieces made alongside the work. Forest breath, ritual drum, earth. Created by Merav Shaked with Suno AI.

Forest Breath Aria A single breath. Opening the ritual.
1:20
Listen on Suno ↗

The compositions were made with an AI agent I built specifically for Artidansel. The agent had direct access to Suno, and iterated on the pieces in conversation with me, adjusting tempo, texture and atmosphere until each piece felt right for the work.

Forest Breath Aria II
0:00
Forest Breath Aria III
0:00
Forest Breath Aria IV
0:00

Composed by Merav Shaked with Suno AI · 2026

This is living research.

Artidansel is one experiment inside a larger inquiry: how do we make spaces that expand consciousness, in the body, in the room, in the pixel. I am looking for the next collaborators.

Artidansel was created as part of Sodot HaPara with Liraz and Bar. Photography: Liraz. Editing: Liraz and Bar. Music: Merav Shaked with Suno AI · 2026.